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As brilliant as Madonna has been throughout most of her career,
she's made her mistakes. Some of those mistakes haven't been
so bad (e.g. releasing a mediocre single such as "Hanky
Panky"), while others have been rather disastrous, even
if the ridicule was somewhat unjust (the "Sex" book).
So, where does that leave the "American Life" fiasco?
I'm not sure exactly. But, one thing I know for sure…is
that for Madonna, her "American Life" project (the
album and singles) was her least successful project since
"Erotica" (in other words, it was her worst selling
studio album in 10 years). "American Life", by the
end of its run, became Madonna's worst selling studio album
ever.
For all the criticisms towards the "Erotica" album
at the time of its release, most music critics will now acknowledge
that the "Erotica" album is far from bad. In fact,
it's actually pretty damn good and highly underrated. Which
just goes to show that music critics don't know shit sometimes...but
I digress. The "Erotica" album, although it certainly
has its misses, was Madonna exploring somewhat dark territory
and pulling it off for the majority of the album. The combination
of underground house club music, dark sexuality, and fuck-you-I'm-bitter
lyrics, come together rather well. The album wasn't entirely
dark (e.g. the masterpiece of "Rain"), but overall,
it was an experimental album that somehow, someway, worked.
But, in 1992, it didn't matter if the album overall was good
or not. At the time, the critics were out to slaughter her,
and they did a good job of that: first, with the album; second,
with the "Sex" book; and third, with the tour that
followed those projects ("The Girlie Show"). To
them, if it involved her, it was shit.
So, now that it's been 4 solid years since the release of
the "American Life" album can we say the same? Is
the album underrated? Was it simply ahead of its time? Yes,
and no. Some of the tracks on the album are good, and are
certainly above mediocre status: "Love Profusion"
and "Die Another Day" come to mind. Some, are rather
brilliant: "Intervention", "X-Static Process",
and "Nothing Fails" come to mind. And some, due
to Madonna's excellent performances of them for her "Re-Invention"
tour, are now fan classics: "Nobody Knows Me" comes
to mind. That leaves us with the following tracks which need
some serious work, or, just aren't up to par: "American
Life", "Hollywood", "I'm So Stupid",
"Mother and Father" (although, in concert, this
song was pretty amazing), and "Easy Ride". Herein
lies the first blunder with the "American Life"
project: the album is unfortunately an uneven one, and overall,
not a very good album. It simply has too many tracks where
the music, concepts, and lyrics don't work---while the good
songs don't carry enough weight to bring the album "up"
so to speak.
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Of the less-than-stellar tracks I just listed,
Madonna went with the title track as the kick-off single.
Therein lies the second blunder with the project. Personally,
I love this song. It's actually a track I thought was great
in concert, and definitely have it on my iPod playlist.
But, this is a very tough song for the masses to relate
to…and in order to have a successful album, you need
to have a killer kick-off single (or, at least, a single
that the general public can connect to).
"American Life", as a song, finds Madonna exploring
her life in the "American Dream" context. She
states that fame, fortune, and glory are not what she expected
them to be. She states that "this type of modern life
is not for me", and ultimately doesn't make her happy.
Considering that much of Madonna's career has been built
on notoriety and attention which she herself courted, the
song can easily confuse the public. One could imagine a
listener scratching their heads asking themselves what her
intentions were with the track. Is she criticizing America?
Is she trying to make a political statement? Is she saying
she doesn't want to be famous? Is she being another uber-rich
celebrity whining about money not bringing you happiness?
Although Madonna wasn't trying to be hypocritical, the song
can come off that way. Part of what she says is that she
isn't happy with fame and fortune, that there is more to
life than riches and the world at your feet---yet, she also
prides herself on singing about having her own personal
chef, nanny, etc. Do I understand what she's trying to say
with the track? Most of it, yes. Would the casual listener
be able to think about it enough to "get it"?
Doubtful. The track easily turns the casual listener off.
And, whether we like it or not, the casual listener (aka,
the mainstream music market) is what is going to help determine
the success of an album.
The third blunder was with the cancellation of the original
video for "American Life". The original video
for the kick-off single was absolutely brilliant. In it,
Madonna is ballsy, brave, political, defiant, and rebellious.
She explores several themes and metaphors in the video.
She compares the highly questionable reasons the U.S. launched
the Iraqi war with the exploitation of Iraqi culture on
a fashion runway. In other words, she is saying to the U.S.:
"You say you're doing this for the good of the world,
yet, look at the horror and tragedy you are inflicting on
the Iraqi people. Look at the destruction you are causing
to their homes and foundation. You are treating them just
like fashion runway models---objects with no history, no
future, and no relevance. To you, they are just there for
you to enforce Western culture on---creatures for show and
tell---nothing more." Issues regarding what beauty
means, what it means to be protected by the government,
and what war means on cultural scale are some of the other
topics she explores with the video.
Confusing? Yes. Thought provoking? Yes. Controversial? Yes.
All the qualities that make a Madonna video great were prominent
for "American Life". Yet, it only aired a few
times before being pulled by Madonna and Warner Brothers.
Madonna made a statement that she pulled it out of respect
for the U.S. troops. There was also a strong rumor that
she had received death threats towards her family because
of the video, and that was another reason she pulled it.
Whatever the reasons were, it seemed to the public (as well
as myself) that for the first time Madonna couldn't handle
the heat from her own creation, and that my friends was
something I, nor the public, could've ever thought possible.
The final reason why "American Life" didn't work
was the political climate at the time the album was released
in the United States. The album wasn't successful worldwide
either (save for a few exceptions, France and Canada most
notably), but in the U.S. (which, for better or worse, helps
determine the success of a Madonna album) it was an absolute
shipwreck. The U.S. was in the throes of uber-patriotism
when "American Life" debuted. Most of the public
had faith that President Bush had made the right choice
by launching the Iraqi War (umm…no), and the American
public basically called any sentiments going against the
grain anti-American (umm…no again). Madonna, the epitome
of liberalism to most Americans, launched the "American
Life" project as an anti-war statement. All of the
interviews, artwork, and promotion for the album portrayed
Madonna as the anti-war pop culture hero. Madonna was a
necessary and powerful voice at a time when the U.S. public
had its head in the sand, but she came at the wrong time.
Instead of the public allowing Madonna to have her say and
bring about some much needed conversation RE: the war, she
was immediately demonized and labeled as anti-American.
U.S. radio stations (whom are mainly owned by Clear Channel
now, a Republican/Conservative-owned corporation) hardly
played the kick-off single (very questionable considering
the strong success of Madonna's previous two albums) in
the beginning, and soon thereafter didn't play the single
at all.
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Only the larger,
more liberal markets such as Los Angeles, and New York city
played the track---but it wasn't enough to convince other
markets to give the song a chance. "American Life"/Anti-war
Madonna found herself at the wrong place at the wrong time.
By the time Madonna released the second, somewhat more radio-friendly
"Hollywood", the damage had already been done.
All of these factors contributed to the failure of "American
Life". An uneven, sometimes, mediocre album; the wrong
choice for the first single; the cancellation of the original,
brilliant treatment for the "American Life" video;
and U.S. misguided uber-patriotism equating Madonna to "the
enemy" sealed the coffin on the project. When you think
about it, in many ways, the album, single, and Madonna herself
never stood a chance.
Released in 2007, do I think "American Life" would've
fared better? I'm not sure to be honest. I guess we'll never
know. But, in the Spring of 2003, "American Life"
was unfortunately DOA: dead on arrival. The sad thing is,
whether the album was good or not, it still deserved a chance.
In my opinion, though, the album was never given that chance.
Hopefully Madonna can look back at the project and see what
went wrong. She certainly made up for it, at least commercially,
with "Confessions On A Dance Floor". But while "Confessions…"
is all about exploring the escapism of the dance floor, with
"American Life" Madonna was exploring heavier themes
and issues. Unfortunately, though, the direction she went
in with "American Life" was one most of the public
couldn't seem to understand, or due to the less-than-stellar
music, couldn't enjoy. It is indeed a bit hard to groove to
a track where the artist comes off as whining about her fame
and fortune eh?
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---Cristian Gonzales
“cristian_nyc” on MadonnaTribe.
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The Madonna Tribe Team welcomes longtime contributor and Community
member Cristian Gonzales aka cristian_nyc
as the brand new columnist and writer who will be sharing
his thoughts, his emotions and his views about the lady we
all love in his brand new space - "'Cause I Got
Something To Say About It..."
Check out his first entry - "I
had to let it happen / I had to change"
- by clicking here.
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©
2007 MadonnaTribe
- All rights reserved.
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Your favourite stop for latest Madonna
news, previews, articles, exclusive interviews, magazine and
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picture galleries, and Community Forum. This site is not endorsed
by Madonna or Warner Bros Records.
From fans to fans, © 2003-2007 Madonna Tribe
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